
As I mentioned in an earlier post, last week I headed into Mountie territory to support my company’s film at the Toronto International Film Festival, which was invited to compete in their documentary category.
The whole experience was, to say the least, overwhelming. As it turns out, our little film, which we’ve been quietly plugging away at for the last 18 months, was one of the higher profile events at the Festival. Within an hour of stepping off the plane, on my way to check-in with Guest Relations, I came across this:

A window display—nay, eight window displays—showcasing our film, prominently holding court at Birks, the Canadian equivalent to Tiffany in the States. Unfortunately, this didn’t lead to complimentary tiaras for the filmmakers, but it was still nice, nonetheless.
That same day was also the night of our premiere. Prior to arriving in Toronto, Audi, a co-sponsor of the event, arranged to transport the production staff to and from the theater, but, being the lowly assistant that I am, I was relegated to the poor man’s chauffer, a cab. However, by some shift in the universe’s cosmic forces, I weaseled my way into one of the plush sedans. Little did I know, the drivers were instructed to drop their passengers off at the red carpet, and, as you can imagine, arriving in front of a velvet rope in a tinted vehicle can create quite a stir. Yes, it’s true. For one millisecond I was famous. Well, more like one-sixteenth of a millisecond; the time it takes a camera to realize you’re just ordinary and not at all an actor. Maybe that’s an exaggeration. I’m sure someone mistook me for Jason Biggs and probably clicked off a few more shots.

Me and one of the film’s producers, outside the theater, after the pandemonium. Take note at my shameful attempt to grow facial hair.
You see that look on our faces? That’s the look of aborted celebrity. Luckily the film fared better inside the theater than I did outside of it. You can check out some of the reviews here and here.
Following the screening was the after party and, again, more mistaken identity as I slinked out of the car and onto the red carpet leading into the venue, apologizing profusely to reporters for being just a regular person and not Matt Damon. I think this time they caught on because not a single flash went off when I passed. In fact, one paparazzo even threw his camera down on the concrete in disgust. (He was probably French.)

Fed up with the photographers outside, I went Sean Penn on the ones inside.
Inside the party, the alcohol flowed freely, mainly from the bottle to my glass. Jessica Alba and Leelee Sobieski stopped by and we chatted for a bit, mainly to catch up but also to discuss not eating and not ever wearing a bra, respectively. Harvey Weinstein and Mark Cuban even came.
The rest of my stay was filled with more similarly absurd situations. The night after our premiere, another of the film’s assistants and I braved Toronto’s nightlife with low expectations and wound up at a bar with Jude Law. One morning I got up early to catch a screening of In The Valley Of Elah, Paul “I Have 46 Oscars” Haggis’ new film, and was treated to a panel discussion by him and Tommy Lee Jones. I even met Stuart Townsend at the Four Seasons and wished him luck on the premiere of his debut film, Battle in Seattle.
In short, I was a complete starfucker, but I did take time out to explore, namely the amazing gay Village of Toronto.

No more than a few blocks long and as many wide, the Village is an awesome spectacle of fagdom. Literally everyone who walks its streets is a homosexual. I’m not exaggerating. Clothing stores, restaurants, doctors’ offices—all gay owned and operated. Even the postal truck I passed was playing “Hung Up.” It was incredible. I’ve never seen gay so concentrated, which is saying a lot coming from a kid who once got up on the bar at Boysroom. Walking down Church Street, taking in the blatant displays of homosexuality, it was hard to understand how I could’ve ever been ashamed of who I am. Toronto showed me it just feels right.